ALPA de Suiza - Fabricante de cámaras de alta calidad

What are color fringe, color cast and center fold and what can be done about them?

These are three unwelcome but usually removable side effects when photographing with digital backs.

  • Color fringe: thin colored lines running especially along sharp contrasty lines. The cause is usually the retrofocus construction of the wide-angle lenses as used in all SLR cameras through technical necessity. Many such lenses show some lateral color aberration which makes its presence felt in color fringe. Symmetrically constructed lenses that have been designed for digital use do not show this effect. However, there are some retrofocus constructions that do not have the large back focal distance of SLR cameras and yet do not show lateral color aberration/color fringe.
  • Color Cast: cloud-like or circular color alterations, usually towards magenta or green. Often intensified by artificial lighting and by camera movements such as shift or tilt/swing. All manufacturers of digital backs offer their own and generally effective solutions to this problem.
  • Center fold: a line usually in the center of the picture that separates a clearly visible difference in brightness between the two halves of the picture. The effect is caused by the construction of the sensor. The affected manufacturers of digital backs offer their own and generally effective solutions to this problem.

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Why the need for mechanical precision and robustness?

Ever more frequently digital backs use ever-smaller pixels (at present more than 60 MP at 6 µm size).

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Why are all ALPA shift-sleds mounted on roller-bearings?

There are, of course, cheaper solutions to support shift sleds.

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Why does ALPA offer adjustable adapters for digital backs?

Adjustable back adapters (max. 3/10 mm, adjustable in single steps right down to 1/100 mm) with reuseable shims of various thickness are exclusive to ALPA.

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Why do ALPA cameras not need a manual?

ALPA cameras are designed to be as simple as possible.

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What is the exclusive ALPA shutterblade interlock for?

All current ALPA lenses with mechanical Copal shutter (except the extraordinary Schneider Apo-Digitar 5.6/24 mm XL) are equipped with the ALPA shutterblade interlock.

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What is shift, swing and tilt?

Shift, swing and tilt are purposeful displacements of the picture axis against the lens’ axis.

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What are color fringe, color cast and center fold and what can be done about them?

These are three unwelcome but usually removable side effects when photographing with digital backs.

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What viewfinders are there for the ALPA cameras?

When an ALPA camera is to be used freehand, then on all ALPA models a variety of viewfinders can be used (see also page 29):

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Mounting the ALPA Shutter Blade Interlock

All actual ALPA lenses in Copal 0 (except Apo-Digitar 5.6/24 mm XL) feature the interlock as standard equipment.

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Can my existing lenses get converted into ALPA mount?

Yes, in general it is possible to convert existing lenses from Schneider and Rodenstock into ALPA mount.

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Can existing lenses be adapted to the ALPA?

Indeed they can – as long as such lenses are listed in our latest product list.

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Can lenses for AFi, Hy6 or Rolleiflex 600x be used with ALPA cameras?
can a digital or film back on an alpa camera be positioned vertically as well as horizontally?

Yes, they can.

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Macro: Are macro shots possible with ALPA cameras?
As a start: Why are all ALPA cameras equipped for digital as well as for rollfilm backs?

Not everyone wants to photograph digitally, and not everyone wants to do so exclusively.

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What are the exclusive "Short Barrel" lenses and what are they used for?

ALPA supplies all lenses made by Schneider-Kreuznach from 80 mm to 250 mm focal length besides the standard version also in a special "Short Barrel" version that is 34 mm shorter than the standard version.

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Cómo enfocar y cómo encuadrar?

Hay cinco formas:

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